{"id":23702,"date":"2026-03-02T16:47:38","date_gmt":"2026-03-02T15:47:38","guid":{"rendered":"https:\/\/ljubljanatimes.com\/?p=23702"},"modified":"2026-03-02T17:05:14","modified_gmt":"2026-03-02T16:05:14","slug":"work-relation","status":"publish","type":"post","link":"https:\/\/ljubljanatimes.com\/en\/work-relation\/","title":{"rendered":"Work Relation: Ko te\u017ea kamnov prese\u017ee meje odra in postane breme ob\u010dinstva"},"content":{"rendered":"

Razstava Art Vital<\/a><\/em>, ki trenutno domuje v Cukrarni, v slovenski prostor prina\u0161a duh dveh velikanov performans umetnosti, Ulaya in Marine Abramovi\u0107. A postavitev ni le stati\u010den spomin na preteklost ali arhivski prikaz njunega dela; njen najmo\u010dnej\u0161i utrip predstavljajo prav \u017eivi reperformansi. Ti ikoni\u010dnim performansom vdahnejo novo \u017eivljenje, izostrijo na\u0161e zavedanje, da se zgodovina nadaljuje z nami in skozi nas, ter iz umetnosti ustvarjajo polje, na katerem se nenehno dogajajo dru\u017ebene spremembe.<\/p>\n\n\n\n

Zgodovinski kontekst: Delo brez rezultata<\/h2>\n\n\n\n

Da bi razumeli te\u017eo dogajanja v galerijskem prostoru, se je treba vrniti v leto 1978. Takrat sta Ulay in Marina Abramovi\u0107 prvotno izvedla performans Work Relation<\/a><\/em>. Njegovo bistvo je radikalno v svoji preprostosti: v danem prostoru izvajalca opravljata izjemno te\u017eko fizi\u010dno delo. V kovinskih vedrih z enega konca na drugega prena\u0161ata kamne.<\/p>\n\n\n\n

Klju\u010dni element tega dela je, da rezultata ni. Kamni se zgolj premikajo sem ter tja. \u017de v tistem \u010dasu je bilo to delo ponovno uprizorjeno s publiko, pri \u010demer sta za udele\u017ebo uvedla tri razli\u010dne sisteme prena\u0161anja kamnov. Reperformans v Cukrarni tako zvesto sledi tej izvirni zamisli.<\/p>\n\n\n\n

Ekstremne priprave: \u010ci\u0161\u010denje hi\u0161e in duha<\/h2>\n\n\n\n

Izvajati tovrstna dela zahteva popolno psihi\u010dno in fizi\u010dno predanost. Uprizoritve se nista lotila naklju\u010dna izvajalca, temve\u010d izku\u0161ena Katarina Stegnar in Primo\u017e Bezjak, ki sta morala pred tem skozi neizprosen proces priprav.<\/p>\n\n\n\n

V sklopu priprav na nastop sta se udele\u017eila delavnice Cleaning the House<\/em> (\u010ci\u0161\u010denje hi\u0161e), ki je potekala na In\u0161titutu Marine Abramovi\u0107 v gr\u0161kem Kariesu. Metoda je stroga in asketska: umetnika pet dni nista jedla, govorila ali brala. Ves ta \u010das sta bila tudi popolnoma odrezana od zunanjega sveta \u2013 brez ure, telefona in drugih elektronskih naprav. V \u010dasu trajanja delavnice sta opravila ve\u010d dalj\u0161ih in zahtevnih vaj, s katerimi sta krepila fokus, vzdr\u017eljivost in koncentracijo. Ta asketska priprava je bila ob njunem neizprosnem in ritmi\u010dnem prena\u0161anju kamnov v Cukrarni \u0161e kako o\u010ditna in otipljiva.<\/p>\n\n\n\n

Ko opazovalec postane udele\u017eenec: V predstavi smo izjemno u\u017eivali<\/h2>\n\n\n\n

Gledati Stegnarjevo in Bezjaka pri tem Sizifovem delu je izku\u0161nja, ki se zaleze pod ko\u017eo. Njun fokus je bil neomajen, njuni telesi pa sta postopoma kazali znake surove fizi\u010dne iz\u010drpanosti. A tisto, kar je dalo celotnemu dogajanju \u0161e prav posebno noto, je bila neposredna vklju\u010ditev ob\u010dinstva.<\/p>\n\n\n\n

Zabrisala se je meja med odrom in publiko, gledalci pa nismo ostali v varni coni pasivnega opazovanja. \u010ceprav se prena\u0161anje kamnov sli\u0161i kot mu\u010dno opravilo, smo v sami predstavi izjemno u\u017eivali, saj je v nas izzvala veliko nepri\u010dakovanih ob\u010dutkov. Ko v roke prime\u0161 hladno, te\u017eko kovinsko vedro in postane\u0161 del te nesmiselne, a globoko povezovalne verige prena\u0161anja, se intelektualno razumevanje performansa prelevi v \u010disto fizi\u010dno spoznanje. Monotonija se spremeni v skupnostni ritual, ki nas prisili k razmisleku o sodobnem vsakdanu \u2013 kolikokrat tudi sami prena\u0161amo figurativna “vedra kamnov” z ene strani na drugo, povsem iz\u010drpani, na koncu dneva pa rezultat sploh ni viden?<\/p>\n\n\n\n

Performerja, ki nosita te\u017eo zgodovine<\/h2>\n\n\n\n

Tako mo\u010dan, vzdr\u017eljivostni performans zahteva umetnike najvi\u0161jega kova.<\/p>\n\n\n\n

    \n
  • Katarina Stegnar<\/strong> (Ljubljana, 1976) je igralka, performerka, gibalka, raziskovalka in snovalka, ki je s svojo ustvarjalnostjo mo\u010dno zaznamovala zlasti slovensko neodvisno sceno. Bila je ena najdejavnej\u0161ih sodelavk platforme za raziskavo, razvoj in produkcijo sodobne scenske umetnosti Via Negativa<\/em>, \u0161e vedno pa deluje v okviru kolektiva Beton Ltd.<\/em> V odstopu. Od leta 2014 je zaposlena v Slovenskem mladinskem gledali\u0161\u010du. Odigrala je vidne filmske vloge (denimo v filmih Barabe!<\/em>, Drevo<\/em> in lanskem hitu Odre\u0161itev za za\u010detnike<\/em>), sokurirala dve izdaji Festivala performansa (2021, 2023) in za svoje delo prejela \u0161tevilne nagrade, med drugim nagrado Pre\u0161ernovega sklada (2016).<\/li>\n\n\n\n
  • Primo\u017e Bezjak<\/strong> je kot igralec in performer v slovenskem gledali\u0161kem prostoru dejavno navzo\u010d \u017ee vsaj od leta 1999, ko je postal redni \u010dlan ikoni\u010dne skupine Betontanc<\/em>. Aktiven je tako v okviru gledali\u0161kih institucij kot neodvisne plesne in gledali\u0161ke produkcije, v mednarodnih koprodukcijah in v filmu. Konec leta 2008 se je zaposlil v Slovenskem mladinskem gledali\u0161\u010du in leta 2010 soustanovil kolektiv Beton Ltd.<\/em>, v katerem je aktiven \u0161e danes. Je prejemnik razli\u010dnih nagrad, med drugim \u017dupan\u010di\u010deve nagrade (najvi\u0161je priznanje Mestne ob\u010dine Ljubljana za izjemne stvaritve na podro\u010dju umetnosti in kulture), na 23. festivalu slovenskega filma (2020) pa je prejel vesno za najbolj\u0161o glavno vlogo v filmu Antigona \u2013 kako si upamo!<\/em>.<\/li>\n<\/ul>\n\n\n\n

    Povezava njunih bogatih izku\u0161enj, surove metode Marine Abramovi\u0107 in neposredne vklju\u010ditve nas, gledalcev, je v Cukrarni rodila prese\u017eek. Umetnost tu ni bila postavljena le na ogled; z vso te\u017eo kamnov se je dobesedno preselila v na\u0161e roke in glave.<\/p>","protected":false},"excerpt":{"rendered":"

    V ljubljanski Cukrarni v sklopu odmevne razstave Art Vital o\u017eivlja zgodovina performansa. Obiskali smo uprizoritev ikoni\u010dnega dela Work Relation, ki sta ga izvedla Katarina Stegnar in Primo\u017e Bezjak, ter postali del surove, neposredne izku\u0161nje, ki uspe\u0161no bri\u0161e meje med umetnikom in opazovalcem.<\/p>","protected":false},"author":1,"featured_media":23705,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[95,880],"tags":[114,102,116],"class_list":["post-23702","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dogajanje","category-kultura","tag-dogajanje","tag-kultura","tag-ljubljana"],"yoast_head":"\nWork Relation: Ko te\u017ea kamnov prese\u017ee meje odra in postane breme ob\u010dinstva - Ljubljana Times<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/ljubljanatimes.com\/en\/work-relation\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Work Relation: Ko te\u017ea kamnov prese\u017ee meje odra in postane breme ob\u010dinstva\" \/>\n<meta property=\"og:description\" content=\"V ljubljanski Cukrarni v sklopu odmevne razstave Art Vital o\u017eivlja zgodovina performansa. Obiskali smo uprizoritev ikoni\u010dnega dela Work Relation, ki sta ga izvedla Katarina Stegnar in Primo\u017e Bezjak, ter postali del surove, neposredne izku\u0161nje, ki uspe\u0161no bri\u0161e meje med umetnikom in opazovalcem.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/ljubljanatimes.com\/en\/work-relation\/\" \/>\n<meta property=\"og:site_name\" content=\"Ljubljana Times\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/theljubljanatimes\/\" \/>\n<meta property=\"article:published_time\" content=\"2026-03-02T15:47:38+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2026-03-02T16:05:14+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/ljubljanatimes.com\/wp-content\/uploads\/2026\/03\/IMG_7105-scaled.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"2560\" \/>\n\t<meta property=\"og:image:height\" content=\"1440\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ljubljana Times\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"Work Relation: Ko te\u017ea kamnov prese\u017ee meje odra in postane breme ob\u010dinstva\" \/>\n<meta name=\"twitter:creator\" content=\"@LjubljanaTimes\" \/>\n<meta name=\"twitter:site\" content=\"@LjubljanaTimes\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ljubljana Times\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"5 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/\"},\"author\":{\"name\":\"Ljubljana Times\",\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/#\\\/schema\\\/person\\\/f8bb2d07c4d816a03ad970635959c91d\"},\"headline\":\"Work Relation: Ko te\u017ea kamnov prese\u017ee meje odra in postane breme ob\u010dinstva\",\"datePublished\":\"2026-03-02T15:47:38+00:00\",\"dateModified\":\"2026-03-02T16:05:14+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/\"},\"wordCount\":798,\"commentCount\":0,\"publisher\":{\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/#organization\"},\"image\":{\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/ljubljanatimes.com\\\/wp-content\\\/uploads\\\/2026\\\/03\\\/IMG_7105-scaled.jpg\",\"keywords\":[\"dogajanje\",\"kultura\",\"ljubljana\"],\"articleSection\":[\"Dogajanje\",\"Kultura\"],\"inLanguage\":\"en-GB\",\"potentialAction\":[{\"@type\":\"CommentAction\",\"name\":\"Comment\",\"target\":[\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/#respond\"]}]},{\"@type\":\"WebPage\",\"@id\":\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/\",\"url\":\"https:\\\/\\\/ljubljanatimes.com\\\/work-relation\\\/\",\"name\":\"Work Relation: Ko te\u017ea kamnov prese\u017ee meje odra in postane breme ob\u010dinstva - 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