{"id":24386,"date":"2026-09-24T09:25:53","date_gmt":"2026-09-24T07:25:53","guid":{"rendered":"https:\/\/ljubljanatimes.com\/?p=24386"},"modified":"2026-09-24T10:01:21","modified_gmt":"2026-09-24T08:01:21","slug":"recenzija-petre-kovacec-untranquil-now-v-cukrarni-zamaje-meje-med-resnico-spominom-in-fikcijo","status":"publish","type":"post","link":"https:\/\/ljubljanatimes.com\/en\/recenzija-petre-kovacec-untranquil-now-v-cukrarni-zamaje-meje-med-resnico-spominom-in-fikcijo\/","title":{"rendered":"Recenzija Petre Kova\u010dec: untranquil now v Cukrarni zamaje meje med resnico, spominom in fikcijo"},"content":{"rendered":"<p class=\"wp-block-paragraph\">Cukrarna se je sicer v nekaj letih uveljavila kot eden pomembnej\u0161ih prostorov sodobne umetnosti v Ljubljani, z ambicioznim mednarodnim razstavnim programom in usmerjenostjo v sodobne umetni\u0161ke prakse. <em><a href=\"https:\/\/cukrarna.art\/sl\/program\/razstave\/61\/untranquil-now\/\">untranquil now<\/a><\/em> to vlogo zelo prepri\u010dljivo potrjuje, saj v Cukrarno prina\u0161a zahtevno, vsebinsko premi\u0161ljeno in mednarodno relevantno razstavo, ki odpira vpra\u0161anja zgodovine, spomina, politi\u010dnih struktur ter prina\u0161a ne\u0161teto na\u010dinov, kako jih umetnost ponovno premisli in preme\u0161a. Razstavo sem si ogledala v \u010dasu, ko je Cukrarna gostila tudi leto\u0161nji Sound Explicit, ciklus zvo\u010dnih eksperimentalnih dogodkov, ki \u017ee od leta 2003 odpira prostor razli\u010dnim oblikam sodobne zvo\u010dne umetnosti, <a href=\"https:\/\/ljubljanatimes.com\/en\/recenzija-petre-kovacec-pravica-do-zivljenja-zofka-kveder\/\">vendar sem le-tega izpustila na ra\u010dun Zofke Kveder<\/a>.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Razstava, ki je nastala v sodelovanju s Hamburger Kunsthalle, na enem mestu zdru\u017euje dela ve\u010d kot dvajsetih mednarodnih umetnic in umetnikov razli\u010dnih generacij, med njimi Francisa Al\u00ffsa, Tacite Dean, Joan Jonas, Gordona Matta-Clarka, Kare Walker in Rosemarie Trockel. Kustosinja dr. Corinne Diserens del ne postavlja zgolj drugega ob drugega, temve\u010d jih postavlja v premi\u0161ljen medsebojni dialog. Dela se dopolnjujejo, si nasprotujejo, odpirajo nova vpra\u0161anja in obiskovalca usmerjajo k po\u010dasnej\u0161emu, bolj zbranemu ogledu.Razstava je zasnovana transdisciplinarno in je medijsko izjemno raznolika. Povezuje filme, fotografije, tisk, ventilatorje, nekaj cvetja in voska, ki gradijo \u0161ir\u0161o idejo tega, kar kustosinja z navezavo na Edwarda Saida imenuje \u00bbkontrapunkti\u010dna zavest\u00ab: sposobnost umetnosti, da hkrati opozarja na strukture mo\u010di in odpira prostor za druga\u010dne, ve\u010dglasne pripovedi o preteklosti.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">U\u010dinek razstave je prav v tem, da posamezna dela ne ostanejo nujno tam, kjer smo jih videli, ampak se med seboj prepletajo in \u017eivijo naprej tudi zunaj razstavnega prostora. Nekatera se v notranji prostor naselijo precej neprijetno. Tak je zagotovo video Pierra Huyghea <em>Untitled (Human Mask)<\/em> (2014), v katerem opica z masko in v obleki deklice tava po zapu\u0161\u010deni restavraciji v bli\u017eini Fuku\u0161ime. Ob gledanju \u010dloveka kar stiska v \u017eelodcu, ker se ves \u010das zaveda, da gleda opico, njeni gibi pa niso niti malo opi\u010dji. Bela, negibna maska in skoraj groteskno \u010dlove\u0161ka pojavnost ustvarjata ob\u010dutek nelagodja, ki se mu je te\u017eko izogniti. Delo preprosto, a u\u010dinkovito zamaje mejo med \u010dlove\u0161kim in \u017eivalskim, med instinktom in nau\u010denim vedenjem, in pri tem ne ponudi nobenega udobnega odgovora. \u010ce Huyghe gledalca soo\u010di z ne\u010dim, kar deluje skoraj kot prizor iz no\u010dne more, Dora Garc\u00eda zgodovino postavi v precej bolj krhek prostor. Njena <em>The Bug Timeline (No. 2)<\/em> (2021) je zgodovinska \u010dasovnica, narisana s kredo neposredno na \u0161olske table. Izbor dogodkov je avtorska subjektivna odlo\u010ditev, kar je dejansko bistvo pri\u010duje\u010dega umetni\u0161kega dela. Ta nas smelo opominja na ve\u010dno pravilo, da je vsak zapis zgodovine \u017ee njena interpretacija in nikoli povsem nevtralen zapis dejstev. Delo je \u0161e posebej zanimivo zaradi na\u010dina, kako je postavljeno v prostor. Po njem se je treba gibati previdno, saj kreda na tablah ni utrjena in bi jo lahko z nerodnim dotikom hitro izbrisali. Zgodovina tako postane nekaj fizi\u010dnega in krhkega, otipljivega in potencialno izbrisljivega. Tak\u0161no prepletanje osebnega, politi\u010dnega in zgodovinskega se odra\u017ea tudi v delu Hsu Chia-Weija <em>Ruins of the Intelligence Bureau<\/em> (2015). V njem se zgodba \u010dloveka, ki je med hladno vojno na Tajskem deloval kot tajni obve\u0161\u010devalec za Cio in pozneje postal duhovnik, preplete s tradicionalno lutkovno predstavo o Hanumanu, pri kateri je nekdanji obve\u0161\u010devalec v vlogi pripovedovalca. Njegova osebna in politi\u010dno obremenjena zgodovina se tako preplete z mitologijo ter postopoma preide v hibridno pripoved, nekje med dokumentarnim zapisom in fikcijo, podobno kot na celotni razstavi, kjer se zgodovinsko dejstvo, osebni spomin, kolektivna pripoved in umetni\u0161ka interpretacija nenehno premikajo drug v drugega.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Ravno v teh prehodih je <em>untranquil now<\/em> najbolj zanimiva. Te\u017eko jo je po\u0161teno predstaviti z na\u0161tevanjem posameznih del, saj njen u\u010dinek ne nastaja samo iz tega, kaj vsako delo pove zase, temve\u010d predvsem v odnosih med posameznimi deli, podobami, zgodbami in prostori\/prostorom.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\"><em>untranquil now<\/em> zahteva nekaj \u010dasa, pozornosti in pripravljenosti, da se pri posameznem delu za trenutek ustavite. \u010ce boste danes ali v prihodnjih dneh v bli\u017eini Cukrarne, zavijte \u0161e vanjo in si vzemite \u010das za ogled. <strong>Danes je ob 17. uri tudi vodstvo po razstavi in \u010de vas zanima nekoliko bolj poglobljen vpogled v razstavo in njene povezave, je to prav lep razlog za obisk.<\/strong> Morda boste od\u0161li z ve\u010d vpra\u0161anji, kot ste jih imeli ob vstopu, vendar tudi z ob\u010dutkom, da ste videli nekaj, kar bo z vami ostalo \u0161e dolgo po odhodu, pa naj bo to v sanjah, no\u010dnih morah ali budnih drobcih dneva.<\/p>\n\n\n\n<p class=\"wp-block-paragraph\">Razstava je na ogled do 3. januarja 2027, od torka do nedelje med 10. in 19. uro.<\/p>","protected":false},"excerpt":{"rendered":"<p>Cukrarna ni tako zelo izven poti, da bi to lahko uporabila kot izgovor, da je ne obi\u0161\u010dem pogosteje, vendar ob Narodni galeriji, Kresiji, Moderni galeriji (MG+MSUM) in drugih, (zemljepisno nekoliko bolj) centralnih ljubljanskih razstavnih prostorih oziroma galerijah nanjo v\u010dasih kar malo pozabim- z izjemo festivala Indigo (kmalu, kmalu!), ko me tja pritegnejo predavanja, koncerti in avantgardna glasbena umetnost. <\/p>","protected":false},"author":1,"featured_media":24387,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_bluesky_share_type":"default","_mastodon_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"","timeOption":"","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":""},"_wpsp_active_default_template":true},"categories":[95],"tags":[],"class_list":["post-24386","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-dogajanje"],"yoast_head":"<!-- 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