{"id":24490,"date":"2026-10-07T09:18:49","date_gmt":"2026-10-07T07:18:49","guid":{"rendered":"https:\/\/ljubljanatimes.com\/?p=24490"},"modified":"2026-10-07T16:21:13","modified_gmt":"2026-10-07T14:21:13","slug":"irena-z-tomazin-v-gledaliscu-glej-solza-ki-zazveni","status":"publish","type":"post","link":"https:\/\/ljubljanatimes.com\/en\/irena-z-tomazin-v-gledaliscu-glej-solza-ki-zazveni\/","title":{"rendered":"Irena Z. Toma\u017ein v Gledali\u0161\u010du Glej: Solza, ki zazveni"},"content":{"rendered":"
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Pri \u0160e eni igri solz<\/a><\/em> se je pokazalo, kako hvale\u017een prostor za performans je Glej. Njegovi oboki so skupaj z Ireninim glasom ustvarili akusti\u010dna nebesa. Prostor ni bil zgolj kulisa, v kateri se je predstava odvila, temve\u010d je z vsakim odmevom postal njen aktivni del: njen podalj\u0161ek, resonan\u010dna komora, \u0161e eno telo, ki je odgovarjalo Ireninemu.<\/p>\n\n

Irena Z. Toma\u017ein je v petdesetih minutah iz Pandorine skrinjice spustila svoje avant-\u0161lagerske pesmi, nekatere, kot zapi\u0161ejo v Glejevem napovedniku, stare \u017ee ve\u010d kot devetnajst let. Njen glas je krhek in mo\u010dan hkrati. Zmore \u0161epet, rjovenje, lomljenje in nenaden izbruh smeha; v istem trenutku se lahko zdi ranljiv in popolnoma neukrotljiv. Vedno prinese s seboj \u010dustvo, zgodovino in neko notranjo pokrajino.<\/p>\n\n

Pesmi pri njej niso zgolj pesmi. Zapoje jih, odigra, odskaklja, odte\u010de, oddiha. Vsaka je majhna drama, igra skrajnih \u010dustvenih stanj, ki so enkrat sme\u0161na, drugi\u010d bizarna, tretji\u010d skoraj nadle\u017eno hrupna. Zdi se, da je pri Ireni vse glasba. Glasba je, kako stopi na oder, kako se premakne, kako nekaj prime ali izpusti iz rok. Predmeti dobijo novo \u017eivljenje. Z domiselno rabo najrazli\u010dnej\u0161ih pripomo\u010dkov in rekvizitov, od lastnega telesa do roga in frnikol, raz\u0161irja predstavo onkraj klasi\u010dnega pojmovanja zvoka in melodij. Poka\u017ee, da je lahko glasba tudi padec predmeta, kotaljenje, trk, \u0161um, dih. Da je lahko vsaka nota nekaj, kar se zgodi v prostoru.<\/p>\n\n

Posebej \u010dudovite so frnikole, ki so zvon\u010dki, klavirske tipke, solze. Vsaka ob padcu, kotaljenju ali trku ustvari svoj mali zvo\u010dni dogodek. Solza, ki zveni, je ena najlep\u0161ih in najbolj preprostih zamisli ve\u010dera, prav zato, ker je tako nenavadna in hkrati popolnoma logi\u010dna znotraj sveta, ki ga ustvari Toma\u017ein. V nekem trenutku solze zbere v prt in jih nato razme\u010de po prostoru, kot bi se hotela znebiti vsega, kar je do tedaj tako skrbno zbirala. Kar je bilo prej shranjeno, urejeno in varno, se naenkrat razpr\u0161i in izgubi v prostoru, kot da je mogo\u010de neko \u010dustvo zares spustiti iz sebe \u0161ele takrat, ko ga nehamo dr\u017eati v rokah.<\/p>\n\n

Pri predstavi ni\u010d ne deluje naklju\u010dno. Vizualna podoba je premi\u0161ljena do najmanj\u0161e podrobnosti. Tudi zbirka glasov in zvo\u010dnih svetov, ki jo je ustvarila okoli predstave, je nekaj, \u010desar \u017ee dolgo nisem videla tako lepo sestavljenega. Vizualni jezik predstave in spremljajo\u010dega projekta, pri katerem je grafi\u010dno oblikovanje podpisala Mina Fina, vse skupaj \u0161e dodatno pove\u017ee v prepoznaven, skoraj pravlji\u010den svet. Glasba je videti, kot da je bila skrbno zavito v velik \u0161opek ro\u017e: lepa, igriva in ne\u017ena, a pod papirjem vendarle skriva nekaj bolj divjega.<\/p>\n\n

Za konec pa \u0161e ekipi Glej-a: frnikole so se razkotalile in se skrile v vse mogo\u010de koti\u010dke. \u017delim vam obilo sre\u010de pri lovljenju. Verjetno jih boste \u0161e mesece izkopavali izpod sede\u017eev, izza zaves in iz \u0161pranj v talnih oblogah. Vsaki\u010d, ko bo katera kje zacingljala, pa bo komu verjetno postalo tudi malo toplo pri srcu. Z dovoljenjem avtorice sem eno vzela s seboj in tako nisem od\u0161la ne praznih rok ne praznega srca; svojo solzo pa zdaj skrbno varujem, da mi ne uide in se v kak\u0161ni \u0161pranji ne pridru\u017ei svojim bratom in sestram.<\/p>\n\n

\u0160e ena igra solz je bila premierno uprizorjena 20. decembra 2025 v Gledali\u0161\u010du Glej, kjer je bila v sezoni 2025\/26 ve\u010dkrat ponovljena, nazadnje 29. in 30. septembra 2026, ko sem si jo ogledala tudi sama. Za produkcijo je poskrbel Emanat, za koprodukcijo pa Gledali\u0161\u010de Glej. Predstava se je 1. oktobra 2026 preselila \u0161e v Zagreb, kjer je bila v okviru festivala Sounded Bodies izvedena v Zagreba\u010dkem plesnem centru. Trenutno novih terminov ni zaslediti, vendar glede na naravo in ob\u010dasno pojavljanje predstave velja spremljati napovedi Gledali\u0161\u010da Glej. \u010ce se bo \u0160e ena igra solz \u0161e pojavila na katerem od doma\u010dih ali gostujo\u010dih odrov, jo je vredno do\u017eiveti, saj ponuja druga\u010dno glasovno izku\u0161njo, ki gledalca ne nagovarja le s pesmijo, temve\u010d tudi z materialnostjo glasu, telesa in zvoka.<\/p>\n\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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\n O avtorici<\/span> <\/h2>\n <\/div> \n <\/div> \n \t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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\n\t\t\t\t\t\t\tPetra Kova\u010dec\t\t\t\t\t\t<\/h4>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t\t\t
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Petra Kova\u010dec je entuziastka nad gledali\u0161kimi predstavami, filmskimi uprizoritvami in vizualno umetnostjo. U\u017eiva v odkrivanju zgodb, ki premikajo meje ter spodbujajo k razmisleku, svoje vtise pa z veseljem deli z bralci Ljubljana Timesa. Ko ne sedi v dvorani ali galeriji, jo boste najverjetneje ujeli na kak\u0161nem od ljubljanskih kulturnih dogodkov.<\/p>\n\t\t\t\t\t<\/div>\n\t\t\t\t\n\t\t\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>","protected":false},"excerpt":{"rendered":"

Gledali\u0161\u010de Glej, ustanovljeno leta 1970, je eden klju\u010dnih prostorov neodvisne scenske umetnosti v Ljubljani. Njegov \u010drni boks \u017ee desetletja gosti nekonvencionalne predstave, nove umetni\u0161ke pristope in predvsem umetnost, ki od gledalca zahteva, da ostane prisoten. \u017de njegovo ime je povabilo: glej. Poglej. Ne obrni se stran, ampak ostani z o\u010dmi, ob\u010dutki in mislimi pri tem, kar se dogaja pred tabo. Prepusti se podobam, zvokom in svetovom, ki se odprejo v prostoru in te, \u010de jim dovoli\u0161, vsaj za trenutek posrkajo vase.<\/p>","protected":false},"author":1,"featured_media":24491,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_wpscp_schedule_draft_date":"","_wpscp_schedule_republish_date":"","_wpscppro_advance_schedule":false,"_wpscppro_advance_schedule_date":"","_wpscppro_dont_share_socialmedia":false,"_wpscppro_custom_social_share_image":0,"_facebook_share_type":"default","_twitter_share_type":"default","_linkedin_share_type":"default","_pinterest_share_type":"default","_linkedin_share_type_page":"","_instagram_share_type":"default","_medium_share_type":"default","_threads_share_type":"default","_google_business_share_type":"default","_bluesky_share_type":"default","_mastodon_share_type":"default","_selected_social_profile":[],"_wpsp_enable_custom_social_template":false,"_wpsp_social_scheduling":{"enabled":false,"datetime":null,"platforms":[],"status":"template_only","dateOption":"","timeOption":"","customDays":"","customHours":"","customDate":"","customTime":"","schedulingType":""},"_wpsp_active_default_template":true},"categories":[103],"tags":[],"class_list":["post-24490","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-magazin"],"yoast_head":"\nIrena Z. 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Toma\u017ein v Gledali\u0161\u010du Glej: Solza, ki zazveni - Ljubljana Times","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/ljubljanatimes.com\/en\/irena-z-tomazin-v-gledaliscu-glej-solza-ki-zazveni\/","og_locale":"en_GB","og_type":"article","og_title":"Irena Z. Toma\u017ein v Gledali\u0161\u010du Glej: Solza, ki zazveni","og_description":"Gledali\u0161\u010de Glej, ustanovljeno leta 1970, je eden klju\u010dnih prostorov neodvisne scenske umetnosti v Ljubljani. Njegov \u010drni boks \u017ee desetletja gosti nekonvencionalne predstave, nove umetni\u0161ke pristope in predvsem umetnost, ki od gledalca zahteva, da ostane prisoten. \u017de njegovo ime je povabilo: glej. Poglej. Ne obrni se stran, ampak ostani z o\u010dmi, ob\u010dutki in mislimi pri tem, kar se dogaja pred tabo. 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